In other words, binaural audio allows visitors to ‘hear’ in 3D.Īmong the museums to put the technology to use is The Met. This creates an immersive experience that allows museum visitors to feel like they’re part of the exhibit. The technique replicates how humans naturally hear sounds by creating the effect of actually hearing sound within a space. #videomapping #projectionmapping #statelyhome #projection /s1NCIpygenīinaural technology adds an immersive layer to audioīinaural audio is a type of audio specifically recorded in two channels to mirror two human ears, to mimic the effect of immersive sound when played back. Our award-winning visitor attraction that took place throughout the rooms of Harewood House. A projection mapping installation we created as part of A Night At The Mansion. Part of the ‘A Night At The Mansion’ exhibition, it would go on to win Innovation of the Year at the Museums + Heritage Awards in 2020. In another example is Harewood House and its ‘Luminescence’ projection mapping installation from multimedia artists Dave & Kristin McGuire. Recent use cases include the Van Gogh Exhibit in Manchester’s MediaCity, which relies extensively on projection mapping to fill otherwise empty walls with video. The technique can be used to highlight existing features within historical buildings, bring to life specific shapes and structures, and illuminate structures custom-built for an installation.Īs an alternative to screens in a multimedia exhibit, or as a system for highlighting existing facades, the creation and installation of projection mapping will require a bespoke build and installation. When projected on walls, ceilings, floors and objects, projection mapping allows existing surfaces to come alive with virtual content that can be viewed by users either standing close or – at the scale of building walls – viewed from afar. Projection mapping is transforming spaces large and small Here, Advisor sets out some of those technologies, as they move from proof of concept to working examples. With the introduction of new innovations comes a debate over how best to move the technology from novelty to a valuable story-telling device. For better or worse, the museum and heritage sectors are in somewhat of a technological arms race, all the way from the front desk to the headline exhibition.
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